Archive

Monthly Archives: October 2015

Cries of “Misandry!” didn’t sink Himozairu

28/10/2015
gender, japan, politics

Acclaimed manga author Akiko Higashimura (famous for Kuragehime, or Jellyfish Princess, a series about female otaku) this week cancelled her latest series, Himozairu, after just two chapters, following an online outcry. The publisher, Kodansha (it was being serialised in their Morning magazine) announced the author’s decision on their website, noting that it was in response to various feedback received over social media.

There was some discussion over what had happened in the Japanese language press – here’s the Asahi Shimbun, Jiji Press, Mainichi Shimbun (all traditional news providers), Blogos and NicoNicoNews (portal news sites), and Joshi-Spa and Cyzo Woman (online women’s magazines). Some TV news sites devoted short segments to getting talking heads to give their views on the manga and its cancellation. It was all fairly civil, low-level stuff – there’s certainly no indication in these accounts or on Higashimura’s own Twitter account to suggest that she was facing some awful, GamerGate-esque campaign of hatred (though don’t get me wrong, those things do happen in Japan and they’re spectacularly horrible).

Then the Asahi Shimbun translated its story into English, and it spread from there to fansites (here’s AnimeNewsNetwork’s take) and eventually to the mainstream media (here’s the Washington Post). The narrative as it’s reached the Washington Post, and hence a wider audience, is that Kodansha and/or Higashimura have been forced to pull the series due to a “torrent of criticism” from people who think the comic is “demeaning to men” because it shows them “doing laundry, cooking and washing dishes” – and that suggesting that men should learn domestic skills in Japan is “close to sacreligious”. The Post concludes that in Japan, “there’s no room for women to even dream about a world where men might whip up dinner and pick up their own socks.”

Those of you who read Japanese might now find it interesting to flick through the links provided above and contrast the tone and content of the Japanese articles with that of the Washington Post piece. The Post’s narrative is that this is a backlash from the patriarchy to the mere suggestion of men doing housework; Post writer Anna Fifield links the manga’s message to the likes of Sheryl Sandberg and Anne-Marie Slaughter and accuses the manga’s critics of rallying to a call of “misandry!”. It’s a strong message, not least because it fits so neatly with the established narrative; we know that Japan is a sexist place that’s far behind other developed countries in its treatment of women and in the workplace opportunities which they are offered. We know that career women in Japan are criticised for failing to have babies and stay at home to look after them, and that women who do have babies are forced out of their workplaces. Fifield’s account in the Post fits that narrative neatly and gives us something straightforward to feel outraged about for a few minutes of our coffee break.

Yet in the original Japanese news coverage, the story is quite different. Sure, the Asahi piece notes that critics disliked the manga for “putting down her male assistants” (“mocking” or “looking down on” might also be reasonable translations), though I note that the “and other men” part added to the English translation of the piece is not in the Japanese original. Other stories give lots more context to the criticism, though. Jiji Press cites a critic saying that the manga “doesn’t show consideration for house husbands” (literally, men engaged in work in the home). The Blogos piece notes, alongside a sense that the manga ungently mocks its subjects, criticism of the manga’s conflation of “himo” (parasitical men who live off their spouse’s earnings) and “house husbands”. The Joshi-Spa piece accuses the manga of looking down on unmarried women and house-husbands alike. Only the Cyzo Woman piece implies that the gender-related nature of the manga earned it unwarranted bashing, suggesting that Kodansha’s staff should have realised it wasn’t suitable for free publication online (make what you will of that – I think it’s rather condescending, personally).

So which is it? Did Himozairu fall to a hate campaign by thin-skinned men horrified at this assault on traditional gender roles? Or, on the contrary, did critics who disliked its very support for traditional gender roles and mocking of men who fall outside those roles derail it by convincing the author she had made an error in her depiction?

Though it’ll be hard to say for sure until such time as Higashimura makes a further statement on her decision to suspend publication, I lean towards the latter interpretation. Firstly, because the former interpretation seems to have crept in when a (dubiously translated) Asahi Shimbun article was picked up and spun into quite a different narrative by the Washington Post, seemingly without reference to any other original sources (seriously, the WaPost story cites the translated Asahi story and the AnimeNewsNetwork story, which itself solely cites the translated Asahi story, and not a single other source – I found the seven articles above in under five minutes on Google!). Secondly, because the content of the manga itself is genuinely uncomfortable not from a weird Men’s Rights Activist perspective but from a progressive perspective. Its essential contention is that “loser” men who are no good at getting ahead in “proper” careers should learn household skills in order to attract a career woman who’ll marry them as a “kept man”. This is incredibly problematic; it implies, all at once, that only “loser” men should do household work; that house husbands are men who have failed at other things; and that the relationship between a career woman and a house-husband is an unequal, “kept man” situation. Looked at from another angle, it’s also not saying anything progressive or praiseworthy about women who become housewives and their relationships with their husbands.

Honestly, the problems with this manga start from the word “himo” itself, which the Washington Post gently translates as “string”, implying that it refers to a man who lives off his wife’s purse strings. It’s got far more negative connotations than that; it also means “leash”, for a start (and the manga refers to women who marry “himo” men as their “owner”), and more troublingly means “pimp”, in the sense of a man who lives off a woman’s (immoral) earnings. It’s a term utterly steeped in regressive, traditional and unpleasant gender connotations. Perhaps Higashimura intended to challenge those connotations and reclaim the term; if so, she went about it entirely the wrong way, starting from the very moment when she described (in the pitch line for the manga!) her “training” for housework and chores as being aimed at “men who have dreams, but have no money, no job, no popularity and no style”.

Japan has huge problems with gender; roles are traditionally constructed and strongly socially enforced, which contributes to a lack of opportunity for women (slowly but surely being overturned by a combination of policy and economic reality) and a relentlessly sexist media environment, not to mention being a major factor, I believe, in both the low birth rate and the high suicide rate (especially among men). There is, however, progress occurring, both on a policy level (criticise Shinzo Abe’s motivation for Womenomics all you like; the policies are real and they’re slowly, all too slowly, starting to move previously intractable business culture in a good direction) and on a cultural level (the outcry over sexist heckling in the Tokyo Metropolitan Assembly about a year ago would probably never have happened in the recent past, because nobody would have thought it untoward). It’s important that we don’t try to pigeonhole gender issue related news events into our own pre-selected narrative for convenience, because doing so risks missing the important detail of the picture. In the case of Himozairu, my sense of what has happened is not that the patriarchy has lashed out and silenced a woman’s voice, but that a very talented young author has reconsidered her stance on an issue of gender following progressive criticism. If so, it’s a good thing – and I for one would love to see Higashimura return to the issue in future with a more thoughtful approach.

Abe’s Reshuffle Gun is Firing Blanks

19/10/2015
japan, politics

Cabinet reshuffles are a big deal in Japanese politics. Where in other nations a reshuffle is generally of interest only to those with skin in the game and those desperately afflicted with a fascination with politics (it’s no way for a person to live, I assure you), in Japan reshuffles are given enormous attention and seen as key milestones in a government’s tenure. This is understandable when you look at the history of Japanese democracy in the post-war era; the Liberal Democratic Party has ruled, with or without the support of a minor coalition party, for around 56 of the past 60 years. When every election returns the same party to government, merely expanding or reducing its majority, the only real vehicle for reform lies in cabinet reshuffles – whose outcome has traditionally been determined by the jockeying for position between the LDP’s various internal factions. The hegemony of the LDP has made reshuffles more politically important than the majority of elections.

This makes reshuffles into a powerful tool for a prime minister; as well as providing a means to placate, reward or punish party factions for their support (or lack of same), the reshuffle has also traditionally been a magic bullet for the all-important cabinet approval rating. Cabinet approval is the public opinion figure which every prime minister must watch with anxious eyes; when it drops below a certain level, conventional wisdom suggests that the prime minister is now an electoral liability to the LDP and should be replaced, making him vulnerable to challenges from within the party. A reshuffle is a shot in the arm for cabinet approval – voters generally seem willing to give a new cabinet time to prove itself, so the approval rating shoots up after a reshuffle.

Abe Shinzo, the current prime minister, has lived a charmed life in terms of his cabinet approval ratings thus far. Indeed, his approval rating is a conundrum that puzles many commentators on Japan. Abe’s rule has boiled down to a succession of deeply unpopular measures – last year’s 秘密保護法 (Official Secrets Bill) and this year’s 安保法 (Security Bill) provoked major ongoing demonstrations around the country, while the slow-but-sure restarting of nuclear power plants continues to be opposed by a significant majority of voters and provokes headline-grabbing local protest with each restart. Meanwhile the much-vaunted “Abenomics” economic programme has had a mixed reaction from economists (it’s largely only managed to crank the levers of monetary stimulus, and has failed miserably to provide the kind of economic reform originally promised), and definitely a failing grade from voters, many of whom have seen their real incomes drop precipitously in recent years and almost none of whom say they have felt any benefit from Abenomics. In poll after poll, the Japanese people hate the Abe cabinet’s policies – they don’t like the bills it passes, don’t support its broad agenda on security and energy, and don’t feel any benefit from its economic policy. Yet in the same polls, they continue to support the cabinet, and the LDP, at a remarkably high rate.

This is only a puzzle if you consider the government in isolation; look at it in the context of Japan’s opposition parties, and it makes perfect sense. To describe the opposition as a disaster would be far too kind; the opposition is a miserable, useless catastrophe. The Democratic Party of Japan, the main party of opposition, has no coherent policy platform and almost zero visibility on key issues; other parties such as the Japan Innovation Party are consumed with in-fighting, and opposition parties split, merge and split again with a weary regularity that makes it perfectly apparent that their membership are far more concerned with shuffling for position and status in a tiresome game of musical chairs for avaricious old men, than in actually representing a constituency or, god forbid, a coherent ideology. Even as the government faced widespread resistance from the populace in passing legislation like the Security Bill, the main opposition parties were distracted with the side-show, the cat-herding pipe-dream, of assembling a broad opposition alliance. It was once said (by one of his own backbenchers, no less) of the well-meaning but slightly hapless Irish opposition leader Alan Dukes, “if it was raining soup, the man would be out in the street with a fork”; it rained miso soup for Japan’s opposition in recent months, and they all ran out into the streets holding chopsticks. If the Japanese electorate dislike Abe Shinzo’s policy platform, they despise the opposition, and have supported the Abe cabinet largely on the basis that any alternative to the LDP is, at the moment, nigh-on unthinkable.

Even so, the Abe cabinet’s approval rating sank to a low (albeit still far higher than justified by support for its policies) ebb when the Security Bill was passed, so; quick! Pull the reshuffle lever! Out with the old, in with the new, and back in with some of the old. There are new faces in some quite prominent positions (I plan to write a little later this week about former pro wrestler Hase Hiroshi’s appointment as Education Minister, which is already shaping up to be very interesting), some hints about which factions are in Abe’s good books, and lots of speculation about what it all means for the theory that he’s going to anoint fanatical right-winger and historical revisionist Inada Tomomi as his successor; she would be Japan’s first female prime minister, marking a real “two steps forward, three steps back” for the progressive cause. The conclusion of most commentators, incidentally, is that leaving her in charge of the LDP’s Policy Research Council, rather than promoting her to a more public cabinet position, suggests that she’s not the shoo-in for the succession many had assumed.

The lever duly pulled, the new Abe Cabinet (“Abe 2.2”, perhaps, as it’s the second cabinet of his second run at the prime minister’s job) sat back and waited for the approval bump… Which never came. Approval did rebound slightly from the level it hit after the security bill passed, but even in the most optimistic of polls, this looked like a dead cat bounce – the natural rebound when even the most moribund of objects hits a hard floor – rather than a boost from the reshuffle. In approval terms, at least, the reshuffle has been a total write-off; perhaps reflecting the increasingly presidential style of Japanese prime ministers since Koizumi Junichiro in the early 2000s, public attention seems focused on Abe himself, and cabinet approval rating is inexorably tied to his person, regardless of the cabinet with which he surrounds himself.

This is troubling for Abe, who has managed – largely off the back of the weakness and disarray both of the opposition and of the much-diminished LDP internal factions – to stay in power for almost three years, far longer than most Japanese Prime Ministers of recent decades. It seemingly removes from him one of the key weapons in the Prime Minister’s arsenal, rendering the reshuffle useless for juicing public opinion numbers – though of course, it may simply be that this reshuffle was handled incompetently, being carried out while the public was still angry over the passage of the Security Bill, and thus burdening the new cabinet with that anger rather than giving them a fresh start. On the other hand, it also reinforces the importance of Abe Shinzo himself, suggesting that while Prime Ministers may still fall victim to weak cabinet support ratings, the era of the disposable and nigh-on faceless Japanese Prime Minister (honestly, even political science academics here struggle to recall some of the nobodies who have held the office in recent decades) is over. Abe will be toppled only when someone within the LDP is strong, prominent and supported enough to topple him; the old system, in which a Prime Minister could be deposed by a broad group of plotting factions without a figurehead, and replaced with whatever doddering codger they felt well-disposed towards that week, is no longer viable. This will make it easier for the PM to see threats coming, the most obvious of them at the moment being Ishiba Shigeru, the hugely ambitious if questionably competent Regional Revitalisation Minister who recently launched his own LDP faction, seemingly with a view to challenging Abe for party leadership in the future. If Abe’s approval slides heavily again (the next big challenge is next year’s double header of House of Councillors elections and TPP ratification), it’s from Ishiba that the only truly credible attack on his position would come – and until the opposition parties get their house in order and start providing a believable alternative, that internal LDP drama is, once again, the only way that Japan’s government is going to see change or reform.