Yesterday, Tokyo hosted the Rainbow Pride Parade – the city’s annual celebration of LGBT people and sexual minorities in Japan, now in its fifth year. The parade is the culmination of a week of Pride-related events, political, social and artistic, and is accompanied by a two-day festival at Yoyogi Park.

The speed with which Rainbow Pride has grown in the past five years is astonishing, and it continues to accelerate. When I first attended four years ago, Pride was a huddle of small booths that barely occupied half of the Yoyogi event space; now, it’s bursting at the seams, with more and more major companies, foreign embassies and retailers vying for space and attention. The parade itself is emblematic of the change; a few years ago, it was a small affair very heavily dominated by foreign faces, and many of the Japanese participants wore sunglasses and face masks to avoid being recognised or pictured. Yesterday, five thousand people marched through Shibuya and Harajuku – the vast majority of them Japanese. Five thousand appears to have been a limit set by some agreement with the authorities, because the numbers could easily have been higher; on Sunday morning, people were being turned away from signing up to march, as the parade was full.

It took almost two hours, standing in the hot sunshine, to see the whole parade pass by on its way back into Yoyogi Park – the marchers being applauded and high-fived by the spectators lining the path as they returned. There were no masks and sunglasses. There were foreigners, of course, but hugely outnumbered by local participants. There were families with children. Large groups of staff from major companies, including family brands like Johnson & Johnson, big banks and financial firms, and tech companies like Google and Netflix, all marched wearing company T-shirts and banners proclaiming the companies’ support for Pride.

None of this would be remarkable in many cities around the world, of course, and Tokyo Rainbow Pride is still a minor affair compared to Asia’s largest Pride event, in Taipei, let alone the huge Pride events in US and European cities. What is truly remarkable, though, is the speed of the growth and the rapid, yet almost unnoticed, change from a culture of anonymity and reluctant activism to genuine, open, “pride”.

In this, Rainbow Pride is merely a useful barometer of deeper, more important changes that are occurring within the fabric of Japanese society itself. More and more universities now have thriving LGBT circles – incidentally, my own university, Waseda, has what I believe is Japan’s oldest student LGBT society, GLOW – and several of them were represented at the Pride Festival, including one from the country’s most prestigious school, Tokyo University. There has been a slow but steady stream of Japanese companies stepping forward to say that they will offer the same benefits to LGBT staff and customers that they do to straight people. Several Japanese political parties now include references to LGBT rights in their manifestoes; the ruling LDP is not among them, but the party’s policy chief, Inada Tomomi, made an official visit to Rainbow Pride on Saturday, becoming the most senior Japanese politician to do so. (While Pride is a fun party, it’s also a serious political event; the address after the end of the parade yesterday was given by US ambassador Caroline Kennedy, who was joined on stage by the British and Irish ambassadors.)

Inada’s public support for Pride is a really interesting thing to think about in the context of the future of LGBT rights in Japan. That’s partially because Inada remains a rising star in the LDP, and many consider her to be a future Prime Minister – a role for which current Prime Minister Abe Shinzo appears to be grooming her. More notable, though, is that Inada is, in general, an ultra-conservative figure. She is a hardline historical revisionist who disputes the accepted history regarding the Rape of Nanjing and WW2 comfort women; she approves of the remilitarisation of Japan, makes regular official visits to the controversial Yasukuni Shrine and is, like many of her senior LDP peers, a member of the hard-right Nippon Kaigi organisation. You would fully expect someone with this background to be deeply conservative on the issue of LGBT rights; the experience of Western countries has been that conservative nationalists are generally extremely anti-LGBT in their stances. Yet Inada was right there at Rainbow Pride, and directly stated her support for human rights and diversity.

This highlights the key difference between Japan and western countries on the issue of LGBT rights; Japan is not, and has never been, a Christian country. It has no religious problem with homosexuality, though it has imported some negative attitudes from the west – prior to the Meiji Restoration in the late 1800s, at least among the upper classes, homosexuality was seen as an indulgent vice, at worst; even The Tale of Genji, written over a thousand years ago, reveals the eponymous prince’s bisexuality in an entirely matter-of-fact way. Human Rights Watch noted last week that homophobic bullying is a problem in schools, and that many teachers are ignorant of, or actively contributing to, the problem; but by and large, LGBT rights is not a hill that Japanese conservatives are willing to die on. Honestly, most of them don’t really care about it, or know very little about it; unlike conservatives in Western countries, those in Japan are, for the most part, generally disinterested in this whole field, and certainly not prepared to expend significant time or energy in fighting against change or progress.

That’s important, because Japan is at a tipping point for LGBT people. Five thousand smiling, waving people, their faces uncovered, marching through Shibuya’s scramble crossing and down a packed Omotesando on a Sunday afternoon is just the tip of the iceberg. There is a line in Japan’s demographic chart; above it, most LGBT people are in the closet, living double lives and keeping their sexuality, for all intents and purposes, invisible. Below the line, you have LGBT young people who, increasingly commonly, come out to their family, their friends, their classmates and even, sometimes, their employers. Hard data on this is impossible to source, but anecdotally, the proportion of LGBT people in their 20s who live openly is an order of magnitude higher than for those in their 40s. Each year, that demographic line rises up the chart, and more and more young people choose to come out.

That tipping point will be familiar to anyone who knows the history of LGBT rights in the west. It’s the point where coming out of the closet becomes the rule rather than the exception; where coming out becomes a rite of passage for young LGBT people, rather than a rare and often forced event some of them have to endure. It’s the point where society has to confront and seriously think about its attitudes to LGBT people and their needs, because they’re no longer an abstract – strange people who do peculiar things and dress oddly and sometimes make funny jokes on TV – but a concrete living reality; your son or daughter, your brother or sister, your cousin, your best friend, your neighbour, your colleague. The single most powerful weapon in the fight for LGBT rights is actually opening ordinary people’s eyes to the LGBT people around them, among their friends and loved ones. Reaching that point is slow, but once it’s reached, change happens very quickly; “gradually, then suddenly”, as Hemingway would have it.

In the West, that sudden burst of change was opposed bitterly by entrenched conservatives; in Japan, though, there’s no interest or appetite for that fight from the conservative camp. There are plenty of old men in political positions who are utterly ignorant of LGBT issues and say stupid, bigoted things – the world won’t run out of those any time soon – but the prospects for any organised conservative resistance to progress on LGBT rights, once that progress becomes a populist position, are very slim. Once Japan advances beyond the tipping point, change will happen very quickly indeed, and with minimal friction.

Viewed in this light, even the high instance of homophobic bullying in schools can be seen as growing pains; homophobia in schools has risen precisely because it is increasingly common for LGBT students to be open about their identities. This is enormously brave, and it’s heart-rending to hear of them being bullied or taunted for it; but they are of a generation who can’t imagine hiding their sexuality, who would prefer to be bullied than to lie to the world about themselves, and as a result they’re a generation that is going to change Japan profoundly.

Japan held two by-elections yesterday – one in Hokkaido 5th District, which has been without an MP since the death of veteran LDP lawmaker Machimura Nobutaka last summer, and one in Kyoto 3rd District, whose scandal-hit LDP MP Miyazaki Kensuke resigned in February. The LDP held the Hokkaido seat and lost the Kyoto seat – a net gain for the opposition, but not one from which the nascent Democratic Party can take much comfort, because the nature of the results raises tough questions about the much-vaunted “opposition coordination” approach.

First, let’s look at the seat the Democratic Party won – Kyoto 3. The DP candidate, Izumi Kenta, won with over 65% of the vote, gaining over 10,000 votes compared to his performance in the 2014 election. Turnout, however, was the lowest ever in the post-war era, at around 30%, not least because the LDP didn’t actually contest the seat. Miyazaki Kensuke’s scandal (he was caught in an adulterous affair only days after making a big deal of taking paternity leave to support his wife following the birth of his first child) was headline news for days and provoked a huge backlash; the LDP wrote off the seat and chose not to run a candidate. Second place in the race, then, went to the newly minted Initiatives From Osaka, whose candidate managed less than a third of the votes of the DP candidate. Incidentally, Izumi is already a member of the House of Representatives – he lost Kyoto 3 in the last general election but was elected on the DPJ’s proportional list for the Kinki region. The new DP lawmaker joining the house, then, will be Kitagami Keiro, who takes over Izumi’s proportional list seat.

Kyoto 3 doesn’t really tell us much useful about the shape of Japanese electoral politics, then. “DP candidates win seats which the LDP has pulled out of after hugely embarrassing scandals” isn’t headline news, and the low turnout makes it impossible to measure any possible influence which the tentative detente between the DP and the Japan Communist Party has had; the JCP didn’t run a candidate in the race, but whether that contributed to Izumi’s vote total and in what degree is impossible to calculate.

Hokkaido 5, then. Turnout here was a lot healthier than in Kyoto, at 57.6% (down less than a single percentage point from the 2014 general election), and the election presented a perfect laboratory for checking on the potential of opposition coordination to tackle narrow LDP leads. In 2014, the LDP candidate faced off against a DPJ candidate and a JCP candidate, winning 50.9% of the vote to the 49% won by the opposition parties (36.8% for the DPJ, 12.2% for the JCP). In this by-election, the DP and the JCP backed a single candidate (along with the People’s Life Party, the Greens and the Social Democratic Party), going up against a non-incumbent LDP candidate (with the backing, of course, of the LDP’s coalition partners Komeito, along with a couple of fringe conservative groups).

To my mind, there are three types of seats which opposition coordination can target. The first are “marginal seats” – places where the DPJ was within a few percentage points of the LDP in 2014, and where the support of just a small fraction of JCP supporters would swing the election. There are nine of these seats, and honestly, the DP should be aiming to win them in the next election without help from other parties – if it can’t reverse a few percentage points in marginal seats when competing against a government whose core policies are all disliked by voters, then the whole purpose of its existence as a party is in question. The second type of seat is “opposition majority seats” – places where a simple mathematical combination of votes for DP and JCP candidates in 2014 would have yielded a majority. There are 70 of those seats (67 in which the DP candidate could have won with JCP support, and 3 where the JCP candidate could have won with DP support) – enough to deliver a powerful blow to the LDP’s majority and probably end Shinzo Abe’s premiership, but not enough to reverse the LDP’s lower house majority.

The third type of seat is the “combined opposition marginal” – a seat where a combination of opposition votes in 2014 would have put them within a couple of percentage points of victory over the LDP (or Komeito) candidate. Hokkaido 5 is a perfect example of this kind of seat, requiring not just good coordination between opposition parties but also a few percentage points of support swing (or a boost in turn-out, breaking strongly for the opposition candidate) to shift control of the seat. If the DP (and other opposition parties) can start to make breakthroughs in this kind of seat in the next election, it blows Japan’s political landscape wide open for the first time in many years – perhaps not giving the DP another shot at government, but at least forcing the LDP to work with other parties to pass key legislation, and putting Abe’s more ambitious goals, like constitutional amendments, out of commission entirely.

Getting there, though, is going to be an uphill struggle. In Hokkaido 5 yesterday, the LDP won by over 12,000 votes. The combined DP and JCP candidate didn’t make up the gap between opposition and LDP at all; in fact, her vote total of 123,517 was around 3000 votes short of the combined vote totals of the two parties in 2014. The LDP’s Wada Yoshiaki, meanwhile, picked up 4,500 more votes than his veteran predecessor had commanded, despite the lower turnout.

What can we conclude from this? Well, the opposition coordination idea works, in nuts and bolts terms; with the DP and JCP supporting the same candidate, that candidate was able to pick up almost all of the votes that had previously gone to the two parties separately. This undermines the narrative from the DP’s centre-right figures, who claim that working with the JCP will cost the party scores of votes from centre-right voters; a claim which has always seemed dubious to me, since I’m not sure the DP really has many centre-right voters to begin with. It also assuages concerns that JCP voters, having stuck with the party through thick and (mostly) thin, would balk at casting a vote for a DP-backed candidate. Most voters dutifully turned out to cast for the coordinated candidate, which bodes well for the 60 to 70 seats that could be turned to the opposition simply by effective coordination strategies.

That’s the positive. The negative is that if the opposition can’t win Hokkaido 5, it’s dubious whether any of the “combined opposition marginals” are within its grasp at the moment. Essentially, the opposition has not increased its popularity since 2014; if anything, it may have slid backwards. In order for the opposition to win power, or even to seriously threaten the LDP’s majority, it needs to boost turnout, convincing disaffected voters to go to the polls and vote – many of them for the first time since 2009. Hokkaido 5’s result suggests that the DP is even further from that outcome today than it was two years ago.

There are of course local factors in play, and it’s unwise to project the political fortunes of a nation from a single by-election in a peripheral constituency; but this was the first real-world test of opposition coordination, and its results suggest a low ceiling on what the DP and its allies can achieve through this strategy alone. On a good day, opposition coordination might cost the LDP enough seats to put Abe’s future in doubt; but even on a very good day indeed for the opposition, it would take far more than coordination between parties to kick the LDP out of power. For that, the opposition needs to offer what it has failed to offer since 2012; an attractive, clear, direct and credible alternative to the LDP’s policy platform.


On a related note – if coordination within Japan’s political opposition interests you, I did an interview with Michael Penn of the Shingetsu News Agency a couple of weeks ago on this topic – I’ve embedded the video from their YouTube channel below.

 

The biggest political news in Japan this week – apart, it seems, from a comment from Prime Minister Abe to the effect that he’d like a humanoid robot to replace him in Diet questioning sessions – is the merger of the main opposition party, the Democratic Party of Japan (民主党), with another opposition group, the Japan Innovation Party (維新の党). The merger will add 21 seats to the DPJ in the House of Representatives, bringing their total to 80, along with five in the House of Councillors, bringing them to 76 seats. It comes as part of an attempt by Japan’s opposition parties to align themselves into some kind of united force against the ruling Liberal Democratic Party (自民党) ahead of elections later this year.

News of the merger hasn’t exactly set Japan’s electorate abuzz. Newspaper opinion polls suggest that a majority of voters don’t have high expectations of the merged party (which will change its name, logo and campaigning slogans in the coming week), by a factor of around two to one, and the announcement of this supposedly major new opposition force has done little to erode support for the Abe cabinet (despite polls consistently showing a lack of faith in the administration’s headline policies).

The lack of voter interest is unsurprising; Japanese voters are understandably fatigued by the endless game of musical chairs which Japan’s opposition has been playing since the DPJ was booted from power in late 2012. In the short few years since Abe took power, the opposition has fragmented and coalesced on multiple occasions. Centrist economic liberals Your Party fell apart, reappeared as the Unity Party and promptly merged into the populist right-wing Restoration Party movement, which emerged from regional politics in Osaka, became a national movement, then returned to Osaka regional politics – leaving a rump, the Japan Innovation Party, which is what is now merging with the DPJ. On the fringes, former political “big beasts” like Ozawa Ichiro and Ishihara Shintaro (now supposedly retired for good) have formed, dissolved and re-formed small political movements, all clearly calculated as potential merger vehicles that might give them access to the corridors of power at a major party once more. The DPJ itself, meanwhile, has spent far more time discussing its own future and failing to conceal signs of damaging internal strife than it has spent challenging the LDP’s policy platform.

Every developed nation, it seems, is presently harbouring a strong degree of resentment at the perceived disconnect between their political classes and the lived realities of the people they govern; look at the degree to which London’s “Westminister Bubble” or the concept of Washington’s “Beltway” have become epithets in the UK and USA respectively. Japanese voters, equally, dismiss the maneouvering, backstabbing and self-serving jockeying for power of their opposition parties as being something like a “Kasumigaseki Bubble”. Opposition mergers and rebrands may be of all-consuming interest to the political chattering classes who huddle around the moat of Tokyo’s Imperial Palace, but the individual impact of such events on the electorate is minimal, while the impact of such a drawn-out series of events is merely to create an overriding sense of disorganisation and disarray that drives even Abe’s most stern critics to despair that his administration is the only real choice on offer.

Looking at the detail of the DPJ-JIP merger, supposedly the most important opposition realignment since 2012, it’s hard to argue with that position. What is the DPJ actually merging with? As mentioned above, the JIP is a rump party left over from the Osaka Ishin movement’s return to regional politics and identity. The Japan Restoration Party (日本維新の会), from which the JIP was birthed, was a pretty firmly right-wing, revisionist movement – the Abe administration flirted with the idea of working with them to propose amendments to the pacifist constitution – which is in itself enough to raise eyebrows; isn’t the DPJ supposedly a more centre-left, progressive crowd than the LDP? What are they doing merging with a party whose politics have often been to the right of the LDP?

While that’s a legitimate concern, and one that speaks to the barrenness of the idological landscape in Japanese politics (where political beliefs and ideology seem always to come a distant second to career ambition), it actually gives the JIP a little too much credit. The JIP is not a consistent, coherent party of the right; it is an ill-fitting band of political misfits, some of whom are experienced or worthy of respect in their own rights, but who as a group look little like a real political party.

The JIP contingent that will be absorbed by the DPJ in the coming weeks consists of 21 members of the House of Representatives and five members of the House of Councillors. Between them, they count membership of almost every minor political party of the past ten years or so, from the left-wing environmentalism of the Green Wind party (みどりの風) to the hard-line neoconservatism of the New Frontier Party (新進党) and the historical revisionism of the Japan Restoration Party. Quite a few (seven Representatives, and all five Councillors) are former members of the neo-liberal Your Party who left along with Eda Kenji to form the more “soft neo-liberal” Unity Party in 2013. Five are former members of the Liberal Democratic Party. By far the largest group, though, is those who will feel rather at home in the DPJ; of the 21 Representatives in the current JIP line-up, 15 are former DPJ members. Several of them departed the DPJ with its aforementioned “big beast”, Ozawa Ichiro, who has left a trail of shattered parties behind him throughout his political careeer; their colleagues in the party may be rather concerned to see Ozawa loyalists returning to the fold.

The point is that there’s really nothing to suggest that this group of 25 men and one woman (which will do little for the DPJ’s diversity targets) is going to bring fresh ideas to the DPJ’s successor. More than half of them have been in the DPJ before, and almost all of them have been political nomads throughout their careers; aside from the small group of Eda Kenji’s loyalists, they have veered wildly around the political spectrum, suggesting opportunism rather than consistency or integrity. Their addition to the DPJ’s roster just makes it even more confusing and difficult to gather what, exactly, the party is supposed to stand for, or who is supposed to vote for them. If you were a DPJ voter with centre-left, progressive preferences, which seems a not unreasonable profile of a typical DPJ voter, the absorption of right-wing hardliners and neo-liberals should be deeply concerning.

To make matters worse, it’s really not clear what this group is meant to bring the DPJ in terms of electoral benefit. Only four of its members are representatives for Single-Member Districts (that is to say, they won their districts outright and should have a reasonable chance of doing so again regardless of which party they stand for) – Eda Kenji in Kanagawa 8th District, Kakizawa Mito in Tokyo 15th District, Ide Yosei in Nagano 3rd District and Isaka Nobuhiko in Hyogo 1st District, all of whom are former Your Party / Unity Party members. The remaining 17 Representatives and 5 Councillors are all elected proportionally through the party list system, and thus do not bring a safe district seat with them. One could argue that removing the JIP from the proportional ballot and presumably taking some of its voters will favour the DPJ through reduced opposition competition; but much of the JIP’s electoral strength was derived from its leadership in the form of cantankerous former Tokyo governor Ishihara Shintaro and outspoken Osaka mayor Hashimoto Toru. Voters fond of Ishihara seem unlikely to break for the DPJ in an election; Hashimoto’s support, concentrated around the Kansai region (especially in Osaka itself), will transfer to its new regional party, the Osaka Restoration Party.

It’s hard to see the DPJ-JIP merger as being much more than yet another round of musical chairs; just another of the seemingly endless pauses in the music that have seen the opposition politicians scrambling for seats since the 2012 election. While the opportunity to rebrand the DPJ is welcome in some regards (any party that reaches the point of printing posters telling voters that it’s okay to hate them, but you should vote for them anyway to protect the consititution, is a party that desperately needs a rebrand), but the JIP merger suggests a deepening crisis in the DPJ’s identity, policy platform and ideological position, not light at the end of the tunnel.

The tension between Japan’s ruling LDP and the country’s broadcasters and media has taken a lurch into the public eye, with widespread reporting of comments in the Diet’s Lower House Budget Committee by Minister of Internal Affairs and Communications Takaichi Sanae to the effect that broadcasting companies which fail to demonstrate impartiality could be taken off the air by the government. The notion of “impartiality” in this context is something of a dog-whistle; it’s the concept commonly used by right-wing conservatives to criticise TV anchors and journalists they percieve as being left-wing or insufficiently nationalist, a context of which Minister Takaichi, no stranger to the right wing of politics, will be keenly aware.

Takaichi’s statement is the first time that a government minister has spelled out in public what the LDP’s ultimate sanction against broadcasters which attract their ire might be, and it has attracted plenty of condemnation, including calls for restraint from within the ruling coalition itself. It’s true though that on the face of it, Takaichi is only stating the facts with regard to Japan’s law – Article 4 of the Broadcast Law demands that broadcasts be “politically fair”, “not distort the facts” and (even more vaguely) “not harm public safety or good morals”, and Article 76 of the Radio Act allows a Minister to temporarily shut down, restrict the broadcast hours or entirely revoke the license of a broadcaster who violates a provision of the Broadcast Law. These aren’t new laws, either; both bills date back to 1950, and while they have been amended more recently, the clauses Takaichi refers to have been in place for almost 66 years.

What’s the problem, then, with a minister simply reminding broadcasters of the powers that technically rest with her office? It’s not like the LDP has just pushed through legislation to restrict or censor broadcasting and is waving that around like a big stick; it’s just pointing out the existence of powers that have been available to every government in the post-war era. Minister Takaichi was even nice enough to say that she didn’t think she’d ever shut down a broadcaster personally, though of course she couldn’t say what any of her successors might do, and that she was simply helping to uphold the rule of law by restating the content of the law. Where’s the issue?

The problem, really, is that Japanese law is often – for quite deliberate and cynical reasons – a tremendous mess. Article 4 of the Broadcast Law is a legal disaster, binding the country’s entire broadcast media to rules that are so vague and ill-defined as to border on being infantile. What is the definition of “public safety”, which broadcasts may not harm? How about “good morals”; what’s the legal definition of a “good moral”? Who decides what’s “politically fair”? In contested situations, who gets to decide that is a “fact”, and what is a “distortion”? These terms, which the legislation makes no further effort to define or explain, are utterly vague and subjective – as is, I would argue, entirely inevitable for any rules designed to chase the daft pipe-dream of “objectivity” in news broadcasting.

It’s unsurprising then that Takaichi’s explanation of the rules in the Diet was equally vague and open to interpretation. The example she gave was a case where, “on a political topic where public opinion is divided, [a broadcaster] ignores one political opinion and deliberately adopts only the other political opinion, broadcasting programming which repeatedly exceeds proportional time for content supporting that view.” Just like the law itself, vast tracts of Takaichi’s explanation are open to interpretation. How much public opinion must support a point of view before it is “entitled” to broadcast time? How is proportionality decided? Should all points of view receive the same coverage – risking, to paraphrase Irish comedian Dara O’Briain, the situation where a broadcast reporting a successful satellite launch must give equal time to a prominent JAXA scientist who worked on the launch, and some bloke called Taro who claims the satellite launch must be a hoax because the sky is a carpet painted by God; how many Twitter followers must Taro have before he’s entitled to his three minutes on NHK’s evening news? Should coverage be divided up proportionally to public opinion polls – in which case, the LDP should brace for some pretty harsh coverage of its core policies, most of which are disliked by a plurality of the Japanese public? What, in fact, has public opinion – which is not mentioned anywhere in the Broadcast Law – got to do with this at all, and why should any broadcaster be forced to spend time serenely nodding along with views he or she firmly believes to be utterly wrong just because an opinion poll said some people agree with it?

Here’s the crux; the Japanese Broadcast Law, just like a large number of other Japanese laws, is quite deliberately vague and open to interpretation, because that’s just how the extremely powerful Japanese political bureaucracy and the LDP itself like it. Because the law is vague, the decision of how to implement it (and even whether to implement it at all) essentially lies at the discretion of ministry bureaucrats. Broad, sweeping concepts like “good morals” or “politically fair” give ministries enormous leeway in deciding what’s acceptable and what’s not at any given point in time. The LDP doesn’t need to pass harsh new legislation giving itself new powers to clamp down on the media, because Japanese legislation is designed to be so vague that ministries (whose bureaucrats drafted the laws in the first place) can, at some point down the line, exert quite extraordinary powers by edict, rather than having to go through the legislative process again.

This isn’t unique to the Broadcast Law. One of the (many) things that initially shocked me while conducting research into Japan’s capital punishment system a few years ago was that between the late 1950s and the 1990s, an open, transparent and humane (in as much as a capital punishment system ever can be) system had been transformed into an extraordinarily brutal, secretive and abusive system – entirely as a result of edicts from Ministry of Justice bureaucrats. Sweeping changes such as pushing all condemned inmates into perpetual solitary confinement, restricting visitor access to prisoners and not informing prisoners of their pending execution until literally minutes before it is carried out (or informing their families and legal representatives until after the execution) were implemented without so much as a single trip to the Diet floor for new legislation to authorise the changes. On a similar if slightly different note, consider the much-publicised crackdown on dancing after midnight, which saw police (especially in Osaka, but also in Tokyo and elsewhere) arresting staff and shutting down venues for the heinous crime of shuffling their feet after Cinderella’s carriage had turned back into a pumpkin; again, this sudden crackdown did not rely on any draconian new legislation, but on the dusting off and sudden implementation of excessively broad rules that had been lying around on the statutes since the late 1940s.

(Nor, it should be stated, is this particular wheeze of sneaky legislators unique to Japan; many governments around the world, including the UK and US governments, have attempted to pass legislation which included deliberately vague sections that could be reinterpreted to grant sweeping powers, only to fall back on pearl-clutching and wailing of “how could you accuse us of such underhanded intentions, we would never use these powers in such a manner” when astute legal scholars or journalists have drawn attention to their attempts to mount a legislative Chekov’s Gun on the mantelpiece of the state. Fast forward a few years and you end up with grotesque absurdities like UK local governments using counter-terrorism legislation to snoop on people and ensure compliance with rubbish collection rules. It is an important but sadly often disregarded fundamental rule of democracy that the people should never, ever grant broad powers to their government on the basis of a solemn but entirely non-binding promise that those powers will not be used, or will not be used outside a specific context; the mission always, always creeps.)

It’s in this context that we must consider the statements of Minister Takaichi – who probably has something of a personal axe to grind with the broadcasters her ministry regulates, given that they greeted her appointment to Abe’s cabinet by dredging up her enthusiastic endorsement of a book praising Adolf Hitler’s electoral politics, along with pictures of her posing alongside the Holocaust-denying head of Japan’s neo-Nazi party. The law she is citing is an old one; the interpretation she is citing, and the threat implicit, is a new one. The Broadcast Law itself is deliberately vague to the point of meaningless in order to permit this kind of interpretation and reinterpretation to suit the whims of the administration; the whim of this administration, as expressed in Takaichi’s statement, clearly leans towards control of, and heavy pressure upon, the nation’s media. Her statement is not a mere point of law – it is a threat, and the age of the law upon which that rests is inconsequential. Just because a dagger has been sitting harmlessly on the shelf for years doesn’t make it any less threatening when it’s picked up and waved in your face.

 

I turned off the news last night. This isn’t entirely uncommon; news programmes in Japan often devote an interminable amount of time to something terribly dull, so I switch off, but last night I turned off the news because my partner and I looked at each other and agreed that this just wasn’t something we wanted to watch any more.

Here’s why. The trial began yesterday of an 18 year old (now 19) and two 17 year old accomplices who, almost exactly a year ago, murdered a 13 year old boy by stabbing him and throwing him naked into a freezing river in Kawasaki. It’s a horrific and disturbing case, and while there are key details that most audiences probably want to know (what the context to the killing was, what kind of previous contact the victim had with his killers, and so on), the sentence I just wrote is probably all you need or want to know about the physical details of the actual killing.

If you watched the news last night, you got so much more. Using a 3D recreation of the courtroom, 3D models of the various parties to the trial and voice actors dubbing the recorded statements of the accused, the news chose to repeat pretty much the entire cross-examination of the accused killers regarding how, exactly, they carried out the murder. In a segment which probably lasted around ten minutes (and felt far longer, though we switched off before the end), we got multiple accounts of precisely how the attackers beat and cut their victim – how many stab wounds, in what parts of his body, and which parts they cut first; how they held the knife as they slashed his throat; how parts of the box-cutter they were using broke off in his body; how they decided to throw him in the river when they were done; all played out over shots of the desolate riverbank where the killing took place, pictures of an artist’s rendering of the murder weapon (complete with blood and gore, in case your imagination was failing you) and, in case you hadn’t been punched hard enough in the gut by all this, pictures of the 13-year-old victim smiling in the sunshine. I’ve got a strong stomach for this kind of thing – I’m fascinated by true crime stories, unfazed by horror movies, and spent the best part of two years conducting research into Japan’s death penalty system and its death row inmates – but I turned off the TV midway, because the extent to which this mid-evening news show was wallowing in detail little short of pornographic of the savage brutalising of a child was genuinely, deeply upsetting.

This was “just the facts”. Everything the TV news chose to show was “fact”; the statements of the accused are facts, what they did to the boy is a fact, what the murder weapon looks like is a fact, what the victim looked like when he was happily smiling for the camera the previous summer is a fact. Yet how those facts are presented – the choice of whether to present them, in what order, with what emphasis – is intrinsically a subjective, editorial decision. Contrast the way in which this case is presented with, for example, the reporting of teenagers stabbed in knife crimes in London; “a 13 year old was stabbed to death by a gang of older youths and his body thrown into a river” – absolutely horrific, but shorn of the lingering, stomach-churning descriptions of where he was stabbed, and how they held the knife, and what it looked like when they cut him, and so much other detail that’s purely “fact”, but that makes a huge, powerful impact on how you perceive and think about the case.

Allow me to put this in a little context. In the past few months, Japan has seen a spate of high-profile news broadcasters being removed or shuffled away from their positions. Two of the mainstays of evening news broadcasting, TV Asahi’s Hodo Station and TBS’ News 23, are losing their well-known hosts (Ichiro Furutachi and Shigetada Kishii, respectively), while NHK’s current affairs show Close-Up Gendai has declined to renew the contract of long-standing anchorwoman Hiroko Kuniya. The circumstances and factors contributing to each change differ, but it’s hard to ignore the common thread between them; each of these presenters has been critical of the Abe administration’s policies, especially around the deeply controversial Security Bill which passed late last year. There are other factors in play as well, of course – Kuniya, for example, is almost certainly as much a victim of Japanese TV’s discomfort with allowing older women to front shows, especially shows seen as being aimed at a male audience – but for three such high-profile and long-standing broadcasters, all critical of the Abe administration, to be removed in such a short space of time is quite obviously no coincidence.

To be clear, the removal of these broadcasters is extremely unlikely to have been demanded or ordered by the government. Rather, it is largely a consequence of a chilling effect on press freedom that has come about due to a perception (accurate or not) of the Abe administration being more willing to take reprisals upon its critics – a sense that broadcasters are expected to “play ball” with the administration to a greater extent than before, enforced not by overt censorious action but by expressions of displeasure, criticism and – rather often – by sudden attacks from right-wingers not associated with the government, but willing to make life hell for its media critics. The environment this creates is not quite the authoritarian one Abe’s critics in the foreign press and elsewhere would claim, but neither is it an ideal one for press freedom – it bears a strong similarity to the media environment in countries like the United Kingdom at the moment, for example.

One common defence of this effective narrowing of the media’s broadcasting remit from supporters of the Abe administration is to refer back to Japan’s Broadcast Law, which includes a demand that news broadcasts should be “politically impartial”. Anchors like Furutachi and Kishii, in expressing dislike of the Security Bill or other government policies, are argued to have violated this law by “editorialising” the news they were presenting.

This concept of “editorialising” is profoundly ignorant of how news and current affairs broadcasting actually works, for a number of reasons. Firstly, shows like News 23 and Hodo Station make a distinction between the segments in which they present the news, and the segments in which they comment upon it; if the Broadcast Law is to be interpreted as strictly as conservatives would like, it would appear to be illegal for anyone to ever present an opinion regarding current affairs on Japanese television. “Yes,” say the conservatives, “news and current affairs should be just about facts!” – which is the second reason for this being nonsense, because “facts” themselves are, by their very nature, subject to editorialisation. “Today, the Yen fell against the Dollar” is a fact, of course; but the decision of whether to broadcast that fact, how much prominence to give it and what imagery to accompany it with is intrinsically a subjective, editorial decision, and Japanese TV news, in presenting the “facts”, makes extremely powerful editorial statements without having to directly state any view. That’s exactly what happened with the Kawasaki murder case on last night’s TV; the choice of which facts to present, the level of detail in which to present them and their contextualisation with background images and video added up to a strong editorial approach with a very different impact from, say, the standard reporting of a teenage stabbing in London.

Why report on the Kawasaki case in such grotesque detail? I’d argue that it’s an editorial decision, conscious or otherwise, designed to support the status quo. Japan has an extremely low crime rate but retains a high level of support for the death penalty (one of the only developed countries to do so), a high degree of trust for its justice system despite multiple revelations of abuse and corruption, and an extremely high tolerance of aggressive, authoritarian tactics from its police force. This status quo makes perfect sense if you recognise the essential disconnection between “actual crime” and “fear of crime”; Japanese people are vanishingly unlikely to be the victim of a violent crime, yet their fear of violent crime is, in study after study, higher than the fear of people living in other, far more violent, nations. How do you maintain that? You linger almost lovingly on the gruesome, shocking details of what crime you actually have; you focus on every murder so intently that when people think about crime, it’s not the everyday safety of Japanese life that comes to mind, it’s the one-in-ten-million psychopaths whose crimes are etched onto the nation’s collective imagination.

Japan’s not the only place that happens, of course – and I’m not arguing for a second that this is some grand conspiracy to keep the population in fear, as there’s really no conspiracy needed; gruesome dramatisation of tragic crimes sells newspapers and boosts TV ratings, and supporting the status quo for the authorities is just a side benefit. What I am arguing is that “just the facts” is not a solution to the supposed problem of “editorialising”; it’s merely moving the editorial decisions to a different, more subtle and arguably more insidious level. A news anchor saying “I don’t like this legislation” is a statement you can challenge or disagree with; a news show presenting “just the facts” in a way designed to nudge your thinking in a clear direction is a much tougher thing for most viewers to challenge or even perceive. Next time someone complains about news being “editorialised”, ask them what they really mean by that; because in reality, there’s no such thing as “just the facts”, and the demands of conservatives that news broadcasters stop “editorialising” the news are actually just demands for a different kind of editorialisation – one that supports the conservative status quo.